Hours of Idleness-A Photographer's Journey in St. Louis

Big Announcement: Switching to Fuji from Nikon

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For all of my journey as a photographer, I’ve been a Nikon shooter, and let me just say that that’s no light commitment. The cameras by this manufacturer that I have owned over the years, spanning film and digital, include:

  1. Nikon FM2
  2. Nikon EM
  3. Nikon n8008s
  4. Nikon n6006
  5. Nikon n90s
  6. Nikon n80
  7. Nikon n65
  8. Nikon D100
  9. Nikon D50
  10. Nikon D200
  11. Nikon D300
  12. Nikon D7200

Real world reviews of some of those can be found here.

So why on earth would I switch to Fuji in 2018, and why stick with crop sensor?

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Photography is No Monolith

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Photography, at its root, is two things: 1. the recording of light phenomena (sometimes invisible to the human eye); 2. a means of communication (sometimes for a conversation that we have only with ourselves). In the overlap between these two, we see all of the photographs ever made, which of course, says very little about the purpose of their creation. This distinction, the photograph’s “purpose”, only becomes apparent once the relationship between the photographer and viewer has been established. For instance, a message delivered through a megaphone that never reaches the recipient renders the projection device meaningless, or without purpose. In this way, the purpose of a photograph that sells to an ad agency is commercial, while the purpose of a photograph that sells to a Museum is cultural, but this is also an oversimplification, since photographs that originally sold to ad agencies have wound up in Museums (a photograph’s purpose can change over time or a photograph can have multiple purposes simultaneously).

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New Blog!

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I am excited to announce that my wife and I will be opening a brick-and-mortar shop (explorer boutique, wanderer goods) called KAMP in St. Louis, Missouri this March. Our motto is “Equip, explore, reflect, repeat”, and we hope that you’ll stop by if/when you can.

For those of you that enjoy my outdoor content on this blog, most of that will be moving over to the store’s blog, so be sure to subscribe over there to not miss anything!

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Me as Gilligan on Chouteau’s Island

a lot of the Island is floodplain, as the levee is on the opposite side as the Mississippi

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My Best of 2017 (part two)

20. Tiffany

For the first time, I have divided the annual summary of a year in my photo life into two parts.  Check out the first part here.

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Monica, Part Two

Posted in Uncategorized by Jason Gray on December 12, 2017

There is certainly something to be said for having the lucky opportunity to work with the same model on more than one occasion, especially if the model and the photographer operate on the same wavelength. This is the case with Monica, who I have been promising a second shoot for since our first session in May.

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My Best of 2017 (part one)

1. former JC Penny Building in Wells Goodfellow for Photo Flood Saint Louis (PFSTL)

As mentioned in my “Best of” post for last year, 2016 pretty much wrecked my life, so it should come as no surprise that 2017 was a year of contemplation, reassessment and rebuilding. As 2018 dawns, I am concluding or have concluded several projects, some positive/some negative, some personal/some public, and am ready to welcome the start of what’s next. Enjoy this numbered list of my favorite images from last year, with some anecdotes sprinkled in between (this is a two-parter for the first time; look for the second one later in the month).

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LOSP in Translation

Lake of the Ozarks State Park (LOSP) is Missouri’s largest state park. With nearly 18,000 acres to explore, the Park is over twice the size of the State’s second biggest park, which makes it sometimes feel more like a National Park than a state one. After all, LOSP even has its own airport; how many state parks out there can claim that?

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Katherine

Posted in art, Jason Gray, model, photography, prime lenses, Uncategorized by Jason Gray on June 5, 2017

I’ve expressed my fondness for working with the human form in previous posts (here, here, and here).  All of that said, I think it is important to note that these sessions are important to me/my work for a variety of reasons.

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Interlude: Saint Louis Art Museum

Posted in film, Interlude, Jason Gray, Uncategorized by Jason Gray on December 21, 2016

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I first began working at the Saint Louis Art Museum in January of 2003.  Over the years, the Museum has introduced me to many great friends and has offered me a practical education beyond the scope of anything that I learned in college.  At SLAM, I’ve worked as a Gallery Attendant, the Photography and Image Rights Manager, a Preparator, and as a Security Officer.  I cannot imagine a more well-rounded glimpse into how Museums operate than this.

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