Michelle

One of the core themes in my art, both photographic and in drawing/painting, is figurative work, and I often return to it when I’ve hit a creative standstill in some way. Figure work can allow me to explore through concepts, but mostly it enables me to think in terms of a formal tradition that I am generally working against otherwise. In this way, there is simplicity of expression and the excitement of approaching the subject in a completely organic way (I prefer to react to what’s there rather than obsessively preplan these shoots). It is a reset, in a sense.

I have known Michelle for several years, and I have thought for almost as long that she would be a terrific model. She is a natural, in being both incredibly beautiful and in having an emotional depth and intelligence that registers in the images as relatable, maybe even a little vulnerable. Her eyes forge a connection and communicate with sincerity. The camera is only able to frame, it does not bring these qualities, and I feel lucky to have worked with her on this set (and hope to work with her again soon).

Monica, Part Two

There is certainly something to be said for having the lucky opportunity to work with the same model on more than one occasion, especially if the model and the photographer operate on the same wavelength. This is the case with Monica, who I have been promising a second shoot for since our first session in May.