Hours of Idleness-A Photographer's Journey in St. Louis

Nikkor 24mm f/2.8D Lens

Lenses, like cameras, are purchased for a variety of reasons:

1. There are lenses out there that are impeccable, that deliver maximum image quality (loads of sharpness, great contrast, minimum distortion and excellent color reproduction) and are lighting fast (generally f/2.8 is considered fast, though with primes sometimes f/1.8 is considered sluggish), but those lenses tend to come with a few caveats also: they are heavy and expensive.  These lenses are specialists’ tools; their purpose is to be the best in the game for the pros that need them.

2. There are lenses that are the optical equivalent of a Swiss Army Knife, they cut, they saw, they open cans, but they’re often clunky and inefficient when compared to tools dedicated to those tasks.  They are your 18-400’s of the world.  These zoom lenses are generalists’ tools; their purpose is utility and convenience for the enthusiast.

3. There are lenses that you form an emotional attachment to.  These lenses can be zooms or primes, slow or fast, cheap or expensive, but they are always at your side.  These lenses are the ones you pick up when you are going out to take pictures for the day when there is no pressure on you for what you’ll bring back.  They make photography fun. They get out of your way, and let you think about composition and subject.  These lenses are seldom the first ones photographers buy. In fact, they almost always come into the bag after years of shooting, when you realize finally that what is truly missing from your kit isn’t its ability to cover fisheye to super telephoto or to be able to pixel peep every shot at 100%.

The Nikkor 24mm f/2.8D is this third category of lenses for me.

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Road Trip!

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I am getting ready for a 5-day trip to the Great Smoky Mountains with my wife and first-born son, later this month.  The travel itinerary that I have made will take us to both Louisville and Nashville, up to the second highest peak in the Appalachians, to a pond full of salamanders, into a cave that’s been haunted for two hundred years, behind the curtain of a waterfall, and more.

This will be the first adventure where all three of us will have a camera.  I’m excited, and can’t wait to share the pictures!

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Interlude: PFSTL Top Ten, #6. St. Louis Place

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Photo Flood Saint Louis turns four this August.  This post is a continuation of a countdown to commemorate this exciting milestone.

Depending upon your point of view, St. Louis Place is currently either the city’s most threatened neighborhood or the one most likely to save its economy.  Of course, the reason being is that this north side gem was selected as the new home of the National Geospatial-Intelligence Agency (formerly located in the south side’s Kosciusko neighborhood); at issue here is that, although the NGA adds millions of much needed revenue dollars to the city’s coffers, it requires razing close to 75% of St. Louis Place via eminent domain for the space needed.  :0

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Interlude: Big Muddy Adventures

Posted in awareness, beer, cruise, family, Hike, Jason Gray, links, photography, prime lenses, Uncategorized by Jason Gray on June 20, 2016

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For Father’s Day, my beautiful wife booked a moonlight canoe trip with Big Muddy Adventures, an adventure tour operator located adjacent to the Riverview neighborhood of St. Louis.  The business’ founder and primary guide is “Big Muddy” Mike Clark, who has logged more than 10,000 miles on the water.  For a mere $75 and a bit of “devil-may-care” daring, Clark will lead you onto the world’s fourth largest watershed, with nothing between you and 300,000 cubic feet of water per second but a wooden canoe and “Big Muddy” Mike’s ingenuity.

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