Sam is a senior in high school preparing to embark upon a college career in baseball, while pursuing a degree in engineering. I recently had the lucky opportunity to photograph Sam for his senior pictures, which was no sweat for this confident, bright athlete (that his location preferences were easy to work with and the fact that he’s got a little James Dean-ness to his look perhaps supported as well).
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If you are open to it, there is no limit to the fascinating people that you can meet in the city of St. Louis, and Efrem Negash, a mathematician and math instructor at Central Visual Performing Art High School and St. Louis Community College at Forest Park, is no less one of them.
Mr. Negash is a heartfelt man with a profound understanding of the underlying truths. I think that this is true for most individuals who are preoccupied by numbers, that they strive to understand how things come together, food, cultures, societies, etc. I have had the opportunity to speak with Efrem on a portion of these things, and his perceptions are always keen.
It may seem like somewhat of a stretch to feature an individual whose background is mathematics on a site that is devoted primarily to interviewing creatives, but I think that the connection will become apparent by the time you finish reading Efrem’s interview. After all, who better to illustrate the similarities between seemingly disparate subjects than a person whose mind approaches the world as if expressing unifying formulas?
After all, “To learn mathematics is to do mathematics.”
Recently, I had the opportunity to photograph my friend and fellow photographer, Lindsey Davidson. Lindsey is an aspiring photojournalist, and works primarily in 35mm, black and white (what I shot the part 2 to this post with ~coming soon~). I had a great time working with Miss Davidson, and I appreciate the fact that she really went for it in these images, despite offering that, like me, she is more comfortable behind the camera than in front of it (Lindsey, I don’t think that anyone can tell).
All Nikon D300 with either Nikkor 17-55mm f/2.8G, Nikkor 105mm f/2.8G, or Nikkor 50mm f/1.8D lens.
Last week, I posted a pic from a new series of photographs that I am working on. This week, I am showing off more shots of some of the men from the series, and next week, I hope to have some of the women ready to put on display. It is interesting to me to observe how differently the women versus the men approached posing for this; the women had a sort of default “pose-face” whereas the men kind of let their guard down a bit more. I guess that’s culture….
All Nikon N80 with the Nikkor 105mm f/2.8G lens and Kodak T-Max 400 film. Prints are on Adorama-branded, variable-contrast, fiber paper. Please excuse my dusty and orientation-moody scanner.
I am back to working on the subject of identity. This time, I have photographed portraits of 47 strangers, 23 men and 24 women, and hope to show the degree of visible variation between people of a certain place (I staked out a spot at a local community college). More to come on this.
Nikon N80 with Nikkor 105mm f/2.8G lens and Kodak T-Max 400 film, printed on Adorama-branded, variable contrast, fiber paper.
My interview with mathematician, Efrem Negash, is up now at One Round Jack.
Get on over there and read it (and enjoy the pics)!
Photographing a person’s likeness is a very intimate gesture, for a picture exposes a subject to the realm of possibilities. When a viewer sees a portrait, they are invited into a person’s life while their defenses are down. Therefore, it is the primary responsibility of the photographer, in these sessions, to capture what is vulnerable.
Oil on Canvas, 30″ x 40″.
It has been a long, looong time since I’ve really sat down and painted with oils. Yesterday, I had quite a few hours to myself, so I decided to do just that. I have a few old pieces, that I was never happy with and that I have been contemplating painting over. In this case, I went about merely reworking the original (and I do have plans to come back and finish it before another year slips off into the abyss). Original after the jump–>